Teaching myself to paint with gouache has been a series of near wins and a lot of misses. I attempted this because I’m traveling in a few weeks and I want to paint at locations I’ll visit. Using gouache has practical advantages over oil paint that I’ve used for years. Gouache is easier to transport, … Continue reading Creating is a Process
I feel an uncomfortable tension when I start a new painting or when I write about my artwork and art practice. There are two main reasons for these feelings. First, the possibility of failure looms large. I’m never sure I can actually do what I want to do. And if I do succeed, then people … Continue reading Why I Create Art and Write about It
We create by giving attention to something. The quality of what we create depends on how we think. I’ll share the story behind the moment captured in the photo as an example of how what we think about comes about. Setting My Intention I play a game with myself once in awhile. It’s a game … Continue reading How We Create All of Our Experiences
Insist on the beauty of form and color to be obtained from the composition of the largest masses, the four or five large masses which cover your canvas. Let these things above all things have fine shapes…Let them be as meaningful of your subject as they possibly can be. ..Remember that the greatest beauty can … Continue reading Insist on the Beauty of Form
6×6″ oil on wood panel. Ancient Greeks and Romans believed creativity implied freedom of action. Poets were thought to be creative, because they brought to life new worlds. Artists were not considered creative, because they copied what they saw—imitated, in other words—and didn’t create anything new. So it remained, with little real change, until roughly the … Continue reading Creativity: What is It?
“Hope” 8×6″ oil on linen panel. Updated January 10, 2018. Last year began well, but health problems surfaced in April that caused me to put painting and many other things on the back burner for the rest of the year. I’m just now starting to engage in many things I had to set aside during those … Continue reading It’s a New Year
A blank canvas IS uncertainty. I feel it every time I set up to paint. But the only way to move from uncertainty to less uncertainty is to try (and maybe fail). And that’s the beauty of deliberate practice—it’s intentional practice. There is no expectation to complete work, only to practice. We can work with … Continue reading Showing Up Matters Most
Unfinished pochade study, #14 in series of 50, oil on 8 x 6-in linen panel. The artwork an artist produces is the result of long series of decisions. Choosing colors or brushes or the type of surface to paint on are among the decisions we make, but those decisions only come after many others have … Continue reading A Painting is the Sum of a Lot of Decisions
8 x 6-inch oil on linen panel pochade study. This wet (yes, those are rain drops) pochade study is #2/50 that I’ve committed to doing. My intention and reason for doing 50 out-of-door studies is two-fold. I want to improve my technical skills and I want to better understand my personal style. Austin Kleon wrote, … Continue reading On Finding Personal Style
When the goal is to get better, deliberate practice is the strategy to use. Deliberate practice works because it makes the difficult familiar and, therefore, easier to do. Deliberate practice involves repetition and having a coach or mentor who can help guide the practice and offer constructive critiques. What I learned about painting a tree … Continue reading Trees and Sky
creativity playbook 
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