What Rights Creators and Buyers Have to Artwork

Sharon Leah

Clementine Duet Clementine Duet SOLD

When someone buys a piece of artwork, who really owns it? The creator or the buyer? Under copyright law, the creator has the exclusive right to:

  • Distribute the work in any form
  • Make copies of the work in any fixed form (digital or print)
  • Display the work in pubic or on a website
  • Make derivatives of the work by modifying or changing an original work, and
  • Publicly perform the work (includes performing music, book readings, films, etc.)

If you’ve watched home improvement shows, the Property Brothers, for example, you may have noticed that all the artwork hanging in homes is blurred out. The Property Brothers would be infringing on an artist’s rights and violating most or all of the above if they made a copy (captured the work on video/film) and displayed it in public (on their TV show).

Creator’s Rights

Congress passed the Visual Artists Rights…

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Freedom to Create Joyfully

 

42_Autumn Oak_200dpi sm

“Autumn Oak” is #43 in my 100 paintings project. All rights reserved.

I’ve had lots of interests over the years and I like to write. I’ve had the freedom to create blogs to my heart’s content on this platform and write on a lot of topics that have interested me. As my interest in some of those topics has waned, I’ve archived or deleted the related blogs. I’m down to three. I blog about creativity, astrology, and my artwork at these sites (click on the links below or in the left Menu):

There are good reasons to keep them separate, but I also experience these different areas of interest as related. I create art and write about it. I write about creativity. And I use astrology to explain the creative process and provide insight into the freedom to choose and create a life within the context of the life fate handed each of us. The common thread is creativity. So, I’ve decided to provide connections to my other blogs and in a sense bring them all together. I don’t have a “schedule” for posting. Sometimes, I’m more active on one blog and less so on others. Check them out.

 

Art Journal – Plein Air Water Lilies and Zen

Sharon Leah

I went out four times in July to paint pond lilies and almost gave up after the second try. Every plein air painting experience has its challenges, but the rewards make it “mostly” worthwhile so I continued to try. This post is a summary of that experience.

Plein air paintings of water lilies

There’s just something about water lilies and lotus. They’re enchanting and beautiful in their simplicity, and many artists both before and after Claude Monet have painted them. Monet’s series of water lilies paintings, over 100  in all, have a tranquil beauty that both painters and collectors appreciate.

Monet Lilies

Water lilies by Claude Monet. Completion date 1917.

Monet loved gardens and painting, and it was to his gardens in Giverny that he retreated as World War I ravaged Europe. He was aware of the war and could sometimes hear the sound of gunfire in nearby battlefields.  “Yesterday I resumed work,”…

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Should Artists Keep Art Journals?

Sharon Leah

orchid-still-life.jpgI have journals and notebooks scattered all around my home. I love them. And I love to write in them. I’m just not very consistent about when I write or what the purpose of my writing should be. So sometimes, often, I have two or three journals going at once and I’m about different things that I do in each of them. I can frustrate myself when I want to find something that I wrote and I have to look in all the possible places. On the other hand, I’m often pleasantly surprised when I open an old journal and reread things that I wrote.

Recently, I’ve been thinking about possible benefits of keeping a journal while I do my artwork. Knowing myself as I do and knowing my propensity for starting a new journal on a whim, I decided to give this idea of an artist’s journal more thought…

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Thought Precedes and Creates Change

kung fu

To create means to take what is and make something new or different. We learn how to take raw materials—canvas, pigment, paint, brushes, pencils, paper, clay, dirt, stones, glass, water, seeds, food, technology, fire, even pressure; and most important of all, our thoughts—and create. We create art and music, tools and technology, community and communities, fun and fitness, first with our thoughts and then with things. In all instances, we as creators have to either allow or facilitate the changes that make what is into something different.

There is one thing that interferes with change, though. Resistance. Others resist our desires. We resist theirs, because _________ (fill in the blank). Things that are big—like a tree or a building—resist our efforts to move or change them (until we think of a way to make the big things smaller and easier to manage). We’re accustomed to looking outside of ourselves for the person or thing that’s behaving like an obstacle when resistance interferes with our plans. Often, however, we’re actually getting in our own way with our own split energy. This happens when we direct some of our energy toward a desired outcome while also expending energy to resist very changes we want to make. Mental resistance, while it has no size or weight, because it consists entirely of thoughts (which can’t even be seen), is the BIGGEST reason we don’t get what we want in life.

I watched Kung Fu starring David Carradine when it was on TV in the 1970s. That was my first exposure to the fascinating world of martial arts and Eastern philosophies. I enjoyed watching Caine, as he was known in the series, demonstrate the power of non-resistance. Every episode had a fight scene and when Caine was threatened, he practiced non-resistance. I don’t mean that he let himself be attacked. But when the person came at him, Caine deflected the attack or stepped aside and allowed the attacker’s momentum to carry him until he stumbled and fell, sometimes over a cliff. In every instance, it was the attackers’ behaviors that caused their own self-undoing.

The Kung Fu philosophy is grounded in the Tao, meaning “the way, or the path,” and that means simply living in harmony with nature, other people, and within oneself. While living with nature and others is important, it’s the relationship to self that forms the foundation for everything that follows. And thinking anything that goes against yourself and splits your energy will make it more difficult to create whatever it is that you desire to create: artwork, a fit body, healthy relationships, etc.

Everyone is a creator, because thoughts turn to things. If you really want to create a painting, you’ll think about it and do what you need to do. If you want to be a better painter, you’ll think about what you need to do and then do it. If you want to be more fit, you have to start where you are, think about what you want to do, and then do it. If you don’t let your thoughts get in your way, you’ll succeed. It’s hard to ignore the truth that “thoughts turn to things.” But if you doubt that’s true, look around you. How did you get to where you are? Did you have thoughts and did you’re thoughts become actions or beliefs that you live with now?

To suppress a truth is to give it force beyond endurance.  —Master Po in Kung Fu

What you resist not only persists, but will grow in size.  —Carl Jung

 

Why Paint in a Tradition

Sharon Leah

Bonnard-the dining room

Pierre Bonnard, The Dining Room in the Country, 1913

I’m a plein air landscape artist and I do some still life paintings when the weather is bad or it’s just too cold to stand outside for three hours. I live in Minnesota. Today, I can say that I paint in the tradition of painterly realism, but it took some time for me to identify the tradition—painterly realism—that I feel most aligned with. In college, I was infatuated with the French Impressionists, and with Pierre Bonnard in particular. Then as now, color and light are nearly the first things that draw my attention to a scene. The Impressionists used broken color to capture the sensation of light. Bonnard was actually considered a Post-Impressionist painter and criticized by some because he broke with his contemporaries, developing his own style. Reviewing an exhibit of Bonnard’s work, Jed Perl wrote:

“Bonnard is the most…

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